Thank God for Granny's Buttermilk Pie recipe. I got the stuff to make it yesterday when I braved Wal-Mart, and after tweaking it, I have a new favorite dessert. There is not one healthful thing in that pie.... It's the only thing I bake that actually uses real butter, but it was in every single way worthy of it.
Right now, I have the beginnings of a RAGING migraine. I can feel it cranking up to kick me in the head until I'm in a whimpering ball. I am hoping the pie will somehow miraculously stave off the pain. It's a combination of all the wonderful factors that always give me headaches.... The weather is doing stupid stuff, my body is doing stupid stuff, work is full of stupid stuff; combine it, and voila! a perfect storm.
All I have to say is that it had all better enjoy it. I have an appointment to see a new neurologist, and I think I'm just going to tell him to open it up and take out the offending bits (ha). In all reality, I'm as happy as a person can be about going to a doctor that I've got this appointment. I haven't seen a specialist in far too long, and clearly my condition is changing. I need piece of mind even if there is nothing that can actually be done for my poor aching brain.
There was more I wanted to say, more to tell you about the day, about a poetry contest and my entry therein, about pottery tonight, about all the little trivial nonsense you've come to expect from me, gentle reader, but right now, somebody is gleefully slamming me in the head with a sledgehammer. I think it's Maxalt time, soon to be followed by falldown and cry time, to be followed by sweet and merciful unconsciousness if there is any justice in the world.
"We're all fools whether we dance or not, so we might as well dance." -- Japanese proverb
Monday, February 28, 2011
Buttermilk Pie, Neurology, and other Miscellanea
Labels:
daily grind,
medical
Sunday, February 27, 2011
The Watchmen
I just watched The Watchmen, and I feel like I need to see it about eight more times to get everything that went on in that movie. That was an astonishingly complex film, and at 2:30, it was still too short to do everything they tried to do in it. I know it's from a graphic novel, and I need to just get the graphic novel, I think. The storyline was so layered and the characters all deep and rich. The plot and the motivation behind were full. It went places I both saw coming and at the same time, didn't really expect. It was very good. I think I'm going to let it tumble around in my head awhile and then I'll watch it again. I'm definitely glad I saw it.
Labels:
movies
Saturday, February 26, 2011
Ag Museum
I went to the Mississippi Agricultural and Forestry Museum today with the Nikon as a photo expedition. I've been wanting to get out somewhere for awhile and shoot some, and this seemed like a good place to go. I had planned to go last week, but the weather wasn't as good, and I never was able to get up my momentum, so I lost that opportunity. Today, I was determined, and I was walking out of the house pretty early.
The weather today was absolutely delicious. When we actually get spring here, it's a gorgeous thing. All the plants that bloom here are starting to open tentatively, and that hazy green mist that is the breath of the season is hanging in the tops of the trees. The drive over was mercifully free of psychopaths intent on running me off the road or proving their manliness, so I soaked up the sun and joy of being behind the wheel.
When I got to the museum, it was early still and mostly empty, and I walked around the collection of old buildings outside shooting whatever caught my eye. It has been years since I have been there, but the place still brings back memories of Saturday and summer trips with my Granny and Granddaddy. They'd load my two cousins and me up and take us over for the day, taking us through the inside museum and the outside "small town" I was walking through telling us stories about the things we were seeing since all of it was actually things they knew from personal use.
I gravitated toward the church at the center of the town. It was quiet and cool, still, despite the increasing foot traffic of parents and small children. I sat down on a pew and stared up at the complex patterns of board and bat, of arch and beam, that had gone into the construction of that simple country house of worship at some point. Its crowning glory is a stained glass window of lilies. I shot it repeatedly, but, as is so often the case when I try to capture something, I never got a good angle on it. There was a pendant light right in the way, and although I think I tried every angle except for standing on the little piano in the corner, I don't really like any of the pictures of it I took.
After leaving the coolness of the church, I went to the General Store. I had been thinking about a glass-bottle Coke since I had gotten in the car that morning. Even though I don't really like Coke because it's so very, very sweet, an ice-cold glass-bottle Coke is something very special. I used to love getting them in Japan and Thailand. Here, they are very hard to find. They, too, bring back memories, places I've been, times long gone. Today, I enjoyed sitting on the porch in the breeze and drinking that fizzy beverage. Even though it was a small one, I lingered over it.
The rest of the afternoon was pretty much a wash, but I got what I had wanted at the museum. Even though the pictures are NOT some of my best by a long, long shot, I feel peaceful and calm just from going and taking them and from the walking with the memories that came from the location. All in all, it wasn't a bad way to spend a day.
The weather today was absolutely delicious. When we actually get spring here, it's a gorgeous thing. All the plants that bloom here are starting to open tentatively, and that hazy green mist that is the breath of the season is hanging in the tops of the trees. The drive over was mercifully free of psychopaths intent on running me off the road or proving their manliness, so I soaked up the sun and joy of being behind the wheel.
When I got to the museum, it was early still and mostly empty, and I walked around the collection of old buildings outside shooting whatever caught my eye. It has been years since I have been there, but the place still brings back memories of Saturday and summer trips with my Granny and Granddaddy. They'd load my two cousins and me up and take us over for the day, taking us through the inside museum and the outside "small town" I was walking through telling us stories about the things we were seeing since all of it was actually things they knew from personal use.
I gravitated toward the church at the center of the town. It was quiet and cool, still, despite the increasing foot traffic of parents and small children. I sat down on a pew and stared up at the complex patterns of board and bat, of arch and beam, that had gone into the construction of that simple country house of worship at some point. Its crowning glory is a stained glass window of lilies. I shot it repeatedly, but, as is so often the case when I try to capture something, I never got a good angle on it. There was a pendant light right in the way, and although I think I tried every angle except for standing on the little piano in the corner, I don't really like any of the pictures of it I took.
The rest of the afternoon was pretty much a wash, but I got what I had wanted at the museum. Even though the pictures are NOT some of my best by a long, long shot, I feel peaceful and calm just from going and taking them and from the walking with the memories that came from the location. All in all, it wasn't a bad way to spend a day.
Labels:
good stuff,
memories,
Mississippi,
photography
Friday, February 25, 2011
What We Have Here Is....
"I know that you believe that you understood what you think I said, but I am not sure you realize that what you heard is not what I meant." ~ Robert McCloskey
Labels:
quotes
Too Much TopGear, Perhaps
Yesterday, I was teaching Hamlet's To Be or Not to Be Soliloquy, and I compared this parody by Prince Charles
Well, frankly, the problem as I see it at this moment in time is whether I should just lie down under all this hassle and let them walk all over me, or whether I should just say OK, I get the message, and do myself in. I mean, let's face it, I'm in a no-win situation, and quite honestly, I'm so stuffed up to here with the whole stupid mess that I can tell you I've just got a good mind to take the easy way out. That's the bottom line. The only problem is, what happens if I find, when I've bumped myself off, there's some kind of... ah, you know, all that mystical stuff about when you die, you might find you're still - know what I mean?
to the original
To be, or not to be--that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles
And by opposing end them. To die, to sleep--
No more--and by a sleep to say we end
The heartache, and the thousand natural shocks
That flesh is heir to. 'Tis a consummation
Devoutly to be wished. To die, to sleep--
To sleep--perchance to dream: ay, there's the rub,
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor's wrong, the proud man's contumely
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered country, from whose bourn
No traveller returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprise of great pitch and moment
With this regard their currents turn awry
And lose the name of action. -- Soft you now,
The fair Ophelia! -- Nymph, in thy orisons
Be all my sins remembered.
I'm rather afraid that after that, in discussion, when we were talking about the purpose of the Crown Prince using the cliche, euphemism, and so forth, I then proceeded to compare the first to a Volkswagen and the second to a Mercedes S-class. I could feel the hot blood filling my cheeks. The image of a little Beetle creeping along behind a string of prowling super cars had just filled my head.
Somewhere, Jeremy Clarkson is smiling.....
Labels:
daily grind,
teaching life,
television
Thursday, February 24, 2011
Tumblr Again
I've added the RSS Feed from my Tumblr, A Perpetual State of Wonder, to this blog. Now you can get all your Wheaties in one quick one-stop shopping trip. (Well, if you're exceptionally geekish, that is, or interested in books or Doctor Who or Star Wars or fountain pens or quotes or the Beatles or whatever else happens to be drifting through my Tumblr obsessions at the time....Caveat Emptor. Don't say you weren't warned.)
Labels:
blog stuff
Something You Should Always Remember....
"Humor is also a way of saying something serious." ~ T.S. Eliot
Labels:
philosophy,
quotes
Musing
I should be grading.
Instead, I stopped a moment to check in on the electronic universe I'maddicted to fascinated with. I think after the kind of day/week/month I've had lately, I can take five minutes, right?
I've got Sara Tavares playing in the background, and she always makes me ponder. Her voice is just something beyond. I've blogged my fascination with her before. You can search for the entry if you like. If you haven't heard her, proceed to Grooveshark with all due speed and take a listen to Balance. It's the one I've got spinning now (if things on iTunes can said to "spin"...my age is showing with my choice of verbs, I suspect).
Anyway, this isn't what I'm musing over. I was just looking at this odd mishmash of stuff I have here on the blog: fountain pens and pottery jesters; lunar insanity and crushing despair; road trips and tripping down stairs; flights of fantasy and random nightmares; and I wonder who in the world comes on these disjointed little rambles with me and why.
I know why I'm here. I write this thing to clear the noise out of my head, to put all the broken pieces on the table and shuffle them around until a pattern appears. It has always worked better for me; I've always been more faithful to this than to a paper-and-pen journal. Of course, there are things I cannot say here, certain things I have to code or shield since I'm doing this little soft-shoe in front of a live studio audience....but maybe that's not a bad thing, either. Maybe the presence of somebody in beyond the footlights keeps me more honest, more thoughtful about what's falling out of my keyboard than I might be otherwise. Nobody likes to turn out a bad performance, after all, not in front of a paying crowd.....
The sea of essays calls to me. My five minutes are up, and this particular little frolic has to come to an end. I'm going to tuck up the corners of my curiosity, fold it neatly, and slide it back in the drawer until there's time for it again. But as I pick up the pen and turn to the task at hand, I have to admit that on some level I'm still wondering.....
Instead, I stopped a moment to check in on the electronic universe I'm
I've got Sara Tavares playing in the background, and she always makes me ponder. Her voice is just something beyond. I've blogged my fascination with her before. You can search for the entry if you like. If you haven't heard her, proceed to Grooveshark with all due speed and take a listen to Balance. It's the one I've got spinning now (if things on iTunes can said to "spin"...my age is showing with my choice of verbs, I suspect).
Anyway, this isn't what I'm musing over. I was just looking at this odd mishmash of stuff I have here on the blog: fountain pens and pottery jesters; lunar insanity and crushing despair; road trips and tripping down stairs; flights of fantasy and random nightmares; and I wonder who in the world comes on these disjointed little rambles with me and why.
I know why I'm here. I write this thing to clear the noise out of my head, to put all the broken pieces on the table and shuffle them around until a pattern appears. It has always worked better for me; I've always been more faithful to this than to a paper-and-pen journal. Of course, there are things I cannot say here, certain things I have to code or shield since I'm doing this little soft-shoe in front of a live studio audience....but maybe that's not a bad thing, either. Maybe the presence of somebody in beyond the footlights keeps me more honest, more thoughtful about what's falling out of my keyboard than I might be otherwise. Nobody likes to turn out a bad performance, after all, not in front of a paying crowd.....
The sea of essays calls to me. My five minutes are up, and this particular little frolic has to come to an end. I'm going to tuck up the corners of my curiosity, fold it neatly, and slide it back in the drawer until there's time for it again. But as I pick up the pen and turn to the task at hand, I have to admit that on some level I'm still wondering.....
Labels:
blog stuff
Wednesday, February 23, 2011
The New Old Pen
Saturday, while I was out looking for something to take a picture of, I went to an antique mall I like to poke around in sometimes. I found a book about Faulkner I've never seen before, enjoyed looking at all the fascinating things, but I was getting ready to leave since I really didn't have much money. I idly asked the guy behind the counter if they had any fountain pens, rather expecting the answer to be no.
To my surprise, he led me over to a case with a tray of restored pens of various brands, took them out, and left me to look them over while he waited on other customers. Many of them were unremarkable, plain black resin in various states of repair, nothing striking or memorable. In the end compartment of the fabric-lined tray, however, shining like a little jewel was a garnet-colored 1940s Chatham with a tag that said it had been restored.
The color and the unusual basket-weave pattern of the resin caught my attention. It is a piston-fill, and I don't have any of those, so I was reluctant to get something I would have to fill from the bottle, but the more I looked at it and handled it, the more it felt like something that was a part of me. I finally decided to buy it.
Today, I inked it for the first time, remembering that it was in my purse and that my Levenger ink was in my school desk. It writes divinely; the 60-year-old-nib is better than any other that I have. The color continues to enchant, even more lovely in the light of day than it was in the dimness of the shop. It pleases me tremendously to have this beautiful old object brought to life in my hands and working at its appointed task once more.
To my surprise, he led me over to a case with a tray of restored pens of various brands, took them out, and left me to look them over while he waited on other customers. Many of them were unremarkable, plain black resin in various states of repair, nothing striking or memorable. In the end compartment of the fabric-lined tray, however, shining like a little jewel was a garnet-colored 1940s Chatham with a tag that said it had been restored.
The color and the unusual basket-weave pattern of the resin caught my attention. It is a piston-fill, and I don't have any of those, so I was reluctant to get something I would have to fill from the bottle, but the more I looked at it and handled it, the more it felt like something that was a part of me. I finally decided to buy it.
Today, I inked it for the first time, remembering that it was in my purse and that my Levenger ink was in my school desk. It writes divinely; the 60-year-old-nib is better than any other that I have. The color continues to enchant, even more lovely in the light of day than it was in the dimness of the shop. It pleases me tremendously to have this beautiful old object brought to life in my hands and working at its appointed task once more.
Labels:
good stuff
Another Short Piece of Fiction
Another writing exercise, more's the pity.
____________
You somehow conjured yourself into a random dream the night the blood moon filled the sky, pulling back the shower curtain to climb inside the spray with me. All things changed. I could not breathe. There was too much to see, too much to feel to waste time with such trivial matters as breathing -- the water running in tiny sacred rivers down your shoulders, tributaries branching across the plains of your chest, that nameless something in your eyes as they seek mine. And then your hand slid through my hair, pulling me against you, erasing the unnecessary and unbearable space between us. For a moment that hung like a falling star, your mouth remained apart from mine. Hunger bared its teeth, sharpened its claws. My trembling fingers slid up to your cheek, over your bottom lip, and with water running like tears down our faces, finally, a kiss….
Tuesday, February 22, 2011
Stress Is...
It's that hand in the strings of my soul, winding them casually around careless fingers, idle play that tightens and frays all the cords inside.
It's a four-year-old turned loose on a precise old instrument in a quiet room, pounding away with fists and abandoned glee as the tuning slowly disappears.
It's the feather-light caress of a breeze caused by the whisper-soft touch of paper against paper in a pile high as an elephant's knee and rising like a tide of three-hole-punched-white-and-blue-lined waves coming again and again, endless as any ocean.
It's looking at a calendar with filled with missed deadlines, with other people's urgencies, pencil in hand, trying to make space for what used to be me, what used to be important, and realizing that there is not one millimeter left in which that which was once mine can be wedged in.
It's the precise and deliberate cleaning tool, a subtle knife that trails with loving and careful strokes down me, pairing me away to the essentials, and then rasps those away, too. I give it life, purpose. I am its maker, its art.
It's walking across the thin-ice, running-cracked-glass arena floor upon which I perform daily and both praying that I don't slip and somehow desiring that today be the day that it all shatters out from under me and lets me just finally feel the relief of falling free at last, devil-take-the-hindmost and every-man-for-himself.
It's watching with fascination as the machinery is wound and wound and wound, unable for no reason that is understandable to stop turning the key despite knowing what will happen, and still marveling at the musical sound it all makes as gears jam, springs reach their final point of tension, and the unsteady and relentless ticking is finally stilled.
It's a four-year-old turned loose on a precise old instrument in a quiet room, pounding away with fists and abandoned glee as the tuning slowly disappears.
It's the feather-light caress of a breeze caused by the whisper-soft touch of paper against paper in a pile high as an elephant's knee and rising like a tide of three-hole-punched-white-and-blue-lined waves coming again and again, endless as any ocean.
It's looking at a calendar with filled with missed deadlines, with other people's urgencies, pencil in hand, trying to make space for what used to be me, what used to be important, and realizing that there is not one millimeter left in which that which was once mine can be wedged in.
It's the precise and deliberate cleaning tool, a subtle knife that trails with loving and careful strokes down me, pairing me away to the essentials, and then rasps those away, too. I give it life, purpose. I am its maker, its art.
It's walking across the thin-ice, running-cracked-glass arena floor upon which I perform daily and both praying that I don't slip and somehow desiring that today be the day that it all shatters out from under me and lets me just finally feel the relief of falling free at last, devil-take-the-hindmost and every-man-for-himself.
It's watching with fascination as the machinery is wound and wound and wound, unable for no reason that is understandable to stop turning the key despite knowing what will happen, and still marveling at the musical sound it all makes as gears jam, springs reach their final point of tension, and the unsteady and relentless ticking is finally stilled.
Labels:
daily grind
Monday, February 21, 2011
Made with My Own Hands
He's not fired yet, but here is my Jester. You may have noticed that he is now my new blog icon. It just felt appropriate. This is a detail shot taken with Instagram (one of my very favorite iPhone apps; if you don't have it, you should get it) before he was put in the kiln for bisque firing.
I still haven't decided on a color scheme, but I leaning toward either something very neutral with a brown/bronze hat and black mask for him or a red hat and parti-colored body as an alternative. I think he'll look good either way, but I don't know which will be better.
Making him has been great fun, so I can't wait to finish him up completely. When he's totally done, I'll put up another image. I hope you can suffer through this pride of craft and indulge me in it just a bit longer.
I still haven't decided on a color scheme, but I leaning toward either something very neutral with a brown/bronze hat and black mask for him or a red hat and parti-colored body as an alternative. I think he'll look good either way, but I don't know which will be better.
Making him has been great fun, so I can't wait to finish him up completely. When he's totally done, I'll put up another image. I hope you can suffer through this pride of craft and indulge me in it just a bit longer.
Labels:
good stuff,
photography,
stuff I love
Sunday, February 20, 2011
Another by Neruda - Sonnet XVII
One Hundred Love Sonnets: XVII
I don’t love you as if you were a rose of salt, topaz,
or arrow of carnations that propagate fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.
I love you as the plant that doesn’t bloom but carries
the light of those flowers, hidden, within itself,
and thanks to your love the tight aroma that arose
from the earth lives dimly in my body.
I love you without knowing how, or when, or from where,
I love you directly without problems or pride:
I love you like this because I don’t know any other way to love,
except in this form in which I am not nor are you,
so close that your hand upon my chest is mine,
so close that your eyes close with my dreams.
Translated by Mark Eisner
Translated by Mark Eisner
Labels:
good stuff,
literary,
poetry
Neruda- "Clenched Soul"
We have lost even this twilight. No one saw us this evening hand in hand while the blue night dropped on the world. I have seen from my window the fiesta of sunset in the distant mountain tops. Sometimes a piece of sun burned like a coin in my hand. I remembered you with my soul clenched in that sadness of mine that you know. Where were you then? Who else was there? Saying what? Why will the whole of love come on me suddenly when I am sad and feel you are far away? The book fell that always closed at twilight and my blue sweater rolled like a hurt dog at my feet. Always, always you recede through the evenings toward the twilight erasing statues.
Translated by W.S. Merwin
There is so much beauty here that it actually causes a lovely little pain inside.
Labels:
good stuff,
poetry
Signs
I went out with my camera yesterday to try to take some pictures. I couldn't find anywhere to turn my lens. I drove all over four towns, and I took only four pictures.
The driving of course was the important part. Driving clears my head sometimes. I drove and thought, drove and prayed, looking for a sign about what comes next. I found myself lost in backstreets that led to unexpected but auspicious places. I pulled up in parking lots and sat, looked at buildings.
I was looking for a sign. Well, I guess literally and figuratively, something to photograph and something to guide me, both. On my way out of one of the towns, I think I saw it.
When I got home, I sent an email to someone I have known for a long time. I'll see what happens next. Regardless of the outcome, a curious sense of lightness has come over me.
The driving of course was the important part. Driving clears my head sometimes. I drove and thought, drove and prayed, looking for a sign about what comes next. I found myself lost in backstreets that led to unexpected but auspicious places. I pulled up in parking lots and sat, looked at buildings.
I was looking for a sign. Well, I guess literally and figuratively, something to photograph and something to guide me, both. On my way out of one of the towns, I think I saw it.
When I got home, I sent an email to someone I have known for a long time. I'll see what happens next. Regardless of the outcome, a curious sense of lightness has come over me.
Labels:
daily grind
Friday, February 18, 2011
Optimized for the Mobile World
If you're on a mobile device and everything is suddenly stripped down and you're thinking, What the...yeah, you're in the right place. Blogger now allows me to optimize this for mobile viewers. Now you can view my sage ramblings on your iBerries with greater ease. Or, if you like squinting at the dangerous sheep, you can click at the bottom and look at the regular web view instead....Everybody else, carry on.
Labels:
blog stuff,
geekery
Sign, Please
"I'm sick of following my dreams. I'm just going to ask them where they're going and hook up with them later." ~ Mitch Hedberg
I have to make a decision about something. I need a sign, something that will help me know that I'm choosing the right thing. I wish making choices was easier. I wish I were wiser, that I had more knowledge or sense, more courage or brains or whatever it is that I apparently am lacking....
Wouldn't it be great it life just came with a map or a manual? I would settle for a "preview of coming attractions" at this moment. I'm so scared of running away from something I'm supposed to stay with for the wrong reason. Ridiculously, I'm also afraid that I'm stubbornly clinging to something I should let go of for reasons that are not sound, either.
So what's the answer? I wish I knew. Oh, how profoundly I wish that I knew.....
I have to make a decision about something. I need a sign, something that will help me know that I'm choosing the right thing. I wish making choices was easier. I wish I were wiser, that I had more knowledge or sense, more courage or brains or whatever it is that I apparently am lacking....
Wouldn't it be great it life just came with a map or a manual? I would settle for a "preview of coming attractions" at this moment. I'm so scared of running away from something I'm supposed to stay with for the wrong reason. Ridiculously, I'm also afraid that I'm stubbornly clinging to something I should let go of for reasons that are not sound, either.
So what's the answer? I wish I knew. Oh, how profoundly I wish that I knew.....
Labels:
daily grind
Thursday, February 17, 2011
Run Like Hell
(with apologies to Floyd, the lyrics of whose song have almost nothing to do with this post)
If I could have contrived a way for the marble floors to have opened up and swallowed me, I would have made it happen today. It started well; I like Thursdays. I had danish for breakfast. I had Diet Mountain Dew back in my pantry and fridge. I was cheerful. I was listening to the Beatles' blue album. I got to talk to a friend who, although she's in the same building, I rarely see.
Then it went right straight to hell.
Less and less am I able to put all the pieces back together. More and more do I believe the bad things. There's a line in some movie (I have the horrible feeling I'm about to quote Pretty Woman, but I'm not quite sure...) that says something about how people can tell you something good but the bad things are easier to believe. That's where I am lately. The bad things keep coming, and even though I'm trying not to gripe and whine (believe it or not, I really am), they keep knocking me to my knees. It's getting harder and harder to get up.
Today, I didn't even want to. Staying down seemed both right and good. If down is where they want me so badly, maybe down is where I am supposed to be. After all, if I get up to fight again, I'm just going to get hit again. What's the point of that? It hurts and the effort involved in dragging my bleeding self back to my unsteady feet isn't going to be appreciated by anybody but myself....
When it was over, I sat very still for awhile, just thinking. A friend came in and we talked. I gathered my things, and we left, she to her home, I to mine. I just ran away. Despite the mountains of things I needed to accomplish, I couldn't do another thing, soul-sick as I am right now. I'm going to watch a movie, see if there's anything edible in the kitchen, and look for joy in the small things that surround me. I do know I do have to get myself back up again. I just don't know how I'm going to do it.
If I could have contrived a way for the marble floors to have opened up and swallowed me, I would have made it happen today. It started well; I like Thursdays. I had danish for breakfast. I had Diet Mountain Dew back in my pantry and fridge. I was cheerful. I was listening to the Beatles' blue album. I got to talk to a friend who, although she's in the same building, I rarely see.
Then it went right straight to hell.
Less and less am I able to put all the pieces back together. More and more do I believe the bad things. There's a line in some movie (I have the horrible feeling I'm about to quote Pretty Woman, but I'm not quite sure...) that says something about how people can tell you something good but the bad things are easier to believe. That's where I am lately. The bad things keep coming, and even though I'm trying not to gripe and whine (believe it or not, I really am), they keep knocking me to my knees. It's getting harder and harder to get up.
Today, I didn't even want to. Staying down seemed both right and good. If down is where they want me so badly, maybe down is where I am supposed to be. After all, if I get up to fight again, I'm just going to get hit again. What's the point of that? It hurts and the effort involved in dragging my bleeding self back to my unsteady feet isn't going to be appreciated by anybody but myself....
When it was over, I sat very still for awhile, just thinking. A friend came in and we talked. I gathered my things, and we left, she to her home, I to mine. I just ran away. Despite the mountains of things I needed to accomplish, I couldn't do another thing, soul-sick as I am right now. I'm going to watch a movie, see if there's anything edible in the kitchen, and look for joy in the small things that surround me. I do know I do have to get myself back up again. I just don't know how I'm going to do it.
Labels:
bad days,
daily grind
Monday, February 14, 2011
Jester
I'm building probably the best piece I've ever done in pottery right now. I finished up the handbuild tonight; he is now drying. Next week, I'll see if I can clean the greenware piece without doing damage. I'll take a picture when I get it cleaned before it goes into the kiln. I can't help but be proud of it. It's worlds away from the little cat I have here on the shelf of my living room, yet they are related.
I love hand building more every time I sit down to do it. It is so satisfying to see the whimsies of my mind come to life by the effort of my hands.
I love hand building more every time I sit down to do it. It is so satisfying to see the whimsies of my mind come to life by the effort of my hands.
Labels:
good stuff
Sunday, February 13, 2011
Now We Are 35
Maybe that quote doesn't really work when you're not 10 anymore....
I woke up feeling so cheerful and happy. I don't know if it's just because it's my birthday or if it's something else altogether. Whatever it is, I hope it lasts.
I've had birthday greetings coming in via text and FaceBook since just before midnight last night. It's meant so much to me that people have taken the time to drop me a note. Some of my former students have said very sweet things, better really than any gift. It's nice to know they remember me, that what I gave them is still something they value.
Today itself was a wonderful day. I slept late, had lunch at Olive Garden with my parents (eggplant Parmesan...yay,yay,yay), and then my Mom and I went junkin'. I found a beautiful wooden box for my handkerchiefs and a couple of other things as well. Mom took a picture of me in a silly hat at the antique mall. It has been a thoroughly peaceful day.
Tomorrow will be a return to "the real world." I'm going to fight to hold on to this feeling though. Maybe it's finally mine for keeps.
I woke up feeling so cheerful and happy. I don't know if it's just because it's my birthday or if it's something else altogether. Whatever it is, I hope it lasts.
I've had birthday greetings coming in via text and FaceBook since just before midnight last night. It's meant so much to me that people have taken the time to drop me a note. Some of my former students have said very sweet things, better really than any gift. It's nice to know they remember me, that what I gave them is still something they value.
Today itself was a wonderful day. I slept late, had lunch at Olive Garden with my parents (eggplant Parmesan...yay,yay,yay), and then my Mom and I went junkin'. I found a beautiful wooden box for my handkerchiefs and a couple of other things as well. Mom took a picture of me in a silly hat at the antique mall. It has been a thoroughly peaceful day.
Tomorrow will be a return to "the real world." I'm going to fight to hold on to this feeling though. Maybe it's finally mine for keeps.
Labels:
family,
good stuff
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