"We're all fools whether we dance or not, so we might as well dance." -- Japanese proverb
Friday, October 23, 2015
Really, Really
She danced out the door in her new neckerchief and on her leash, but when I opened the car door, she totally wilted. I told her to "load up," my all-time command to dogs to get in the car, and she pulled backwards, ears flat, eyes huge. It took a minute, but then I realized what was happening.
Stella is a rescue. As a tiny baby, she came into the system when the person who had her first tossed her and her sister out of a moving vehicle in front of a vet's office. Fortunately, other than scrapes and scratches, she wasn't physically damaged. Psychologically, though... Does "even an animal" (a phrase I am not sure I trust very much) ever forget being treated like that totally?
Also fortunately, after that she was taken in by a rescue group in Madison that is wonderful. She's had love, vet care, doggie companions, but she's never had a "forever home." She's been taken to lots of events looking for the people who would keep her, and I suppose some of that was what she was reliving tonight. Even though I know I'm reading it in to her behavior, I could almost hear her saying, "But you told me this was my HOME!"
I picked her up and placed her in the driver's seat. Every other dog I've ever had automatically moved over to the passenger side. She just sat trying to make herself as small as possible. I finally got her to budge, and she was shaking as I cranked up. I smoothed my hands over her, rubbed her, and talked to her. Off we went.
The trip was brief. Mom came out to hand off the items, and she put her hand through the partially open window. Stella sniffed and licked, perking up just a little, but she was still clearly waiting for the moment when the door would open and her life would change again. I started the car again, and we were headed back down the road.
She was puzzled but curious.
When we pulled up next to the house and I cut off the engine, she peered out the window. When the scent of home hit her, she started wagging her tail. I didn't have to fight her at all this time. She unloaded, bounce mostly returned, and by the time we got on the porch, she was grinning and sassy again. She pawed at the door with both front feet, chastising me for being too slow with the keys. When I got the door open, she flew in and body slammed/hugged Chewie before racing around the living room.
I had a feeling she would be nervous when she got in the car. I knew it might be a stressful moment. We will probably have another one when I take her to the vet for the first time. It's really important to me that she has good car experiences. I want her to know that she's always coming back home. This isn't another wayside station in her journey. This is the place where the arms are open. This is the forever home.
Sunday, October 18, 2015
Stella Arrives
Monday, September 14, 2015
A Good Man Is Hard to Find
Sunday, September 13, 2015
The Cure
So I loaded myself in my little white car and drove to Walmart to buy pet food and Diet MD since I was totally out of both. And I cried. Embarrassing ugly crying. Thank God I was in my car where nobody could see or hear me.
Usually, I'm okay. Most days, I'm fine. I stay busy, and my life is a good one. I love what I do; I love my home; I love my friends and family. I do not stay in a woe-is-me mindset. (And here's I'm going to have a slight Bob Dylan interlude because of reasons.) I can honestly say that...
Most of the time
My head is on straight
Most of the time
I’m strong enough not to hate
I don’t build up illusion ’til it makes me sick
I ain’t afraid of confusion no matter how thick
I can smile in the face of mankind....
Most of the time. Today was not most of the time.
I did what I could to try to pull myself out of it. I made a skillet of faux tacos. I watched the last three episodes of season three of Orphan Black. I took a little bitty nap with a purring cat.
None of it worked. The overly-chirpy alarm on my phone went off, and I felt like hurling it into the wall. Seeing those horrible technicolor rainbows around the lights and feeling for all the world like my head was about to crank up with a migraine, I pulled myself into a decent pair of jeans, loaded my red Peavy Foundation into its case, and reluctantly headed back to the church.
Only a few of us were there for our evening jam session since several of the people who usually show up were gone this weekend, but those of us who were there worked on a fun little song for the night service, and I found myself starting to feel a little better. I tried to work on a few walks for it, and to be honest, they didn't go so well because of how badly I was feeling, but just having the instrument in my hands was somehow comforting.
The hymns for tonight were full of accidentals, and by the time we got to the specials, all I wanted was to crawl under the pew and sleep awhile. Our music director announced the song, and I trudged up to the front, picking my bass up along the way. We started to play, and the congregation started to sing. The song had some silly lyrics to it, and we sang it over and over again. Every time we went around, I found myself feeling a little better. By the end of it, I was smiling.
The music is somehow a cure. I don't know how it should be that this is true, but for me, it is. Sometimes the relief comes in just listening to it, to a song that reminds me that I am not alone and that there is still hope. Sometimes the words are the most important part. Tonight though, it came from shutting out everything except my fingers on the finger board and strings of that old bass keeping a steady rhythm. There was comfort in every part of it, in the pull of the strap around my neck, in the weight of the body in my lap, in the smooth glide of the polished maple against my hand, in the press of the strings against my fingertips, in the mathematical and logical patterns of notes that were creating the music.
Part of me wishes I could have sat there on that front pew and kept playing forever. That's not the way the world works, though. Sooner or later, the music has to end.
The trick is to find a way to keep the good inside even when the instrument is back in its case. I have to admit I'm still working on it.
Thursday, September 10, 2015
Brother
Ramblers in the wilderness we can’t find what we need
Get a little restless from the searching
Get a little worn down in between
Like a bull chasing the matador is the man left to his own schemes
Everybody needs someone beside em’ shining like a lighthouse from the sea
Brother let me be your shelter
I’ll never leave you all alone
I can be the one you call
When you’re low
Brother let me be your fortress
When the night winds are driving on
Be the one to light the way
Bring you home
Face down in the desert now there’s a cage locked around my heart
I found a way to drop the keys where my failures were
Now my hands can’t reach that far
I ain’t made for a rivalry I could never take the world alone
I know that in my weakness I am strong, but
It’s your love that brings me home
Brother let me be your shelter
I’ll never leave you all alone
I can be the one you call
When you’re low
Brother let me be your fortress
When the night winds are driving on
Be the one to light the way
Bring you home
And when you call and need me near
Sayin' where'd you go?
Brother I'm right here
And on those days when the sky begins to fall
You're the blood of my blood
We can get through it all
Brother let me be your shelter
I’ll never leave you all alone
I can be the one you call
When you’re feelin' low
Brother let me be your fortress
When the night winds are driving on
Be the one to light the way
Bring you home
Brother let me be your shelter
I’ll never leave you all alone
I can be the one you call
When you’re low
Brother let me be your fortress
When the night winds are driving on
Be the one to light the way
Bring you home
Be the one to light the way
Bring you home
Not Yet
Not so.
We walked around looking at the booths. We stopped to talk to one of my favorite potters and to buy one of his awesome dragons. We dodged various unreasonably large baby carriages. And then we turned one of the final corners.
The entire booth was covered in colorful paintings of pit bulls. Roux's sweet pitty smile was on every canvas. I felt like someone had slugged me in the stomach. I couldn't breathe.
The booth belonged to a pit bull rescue from the north of the state. They were selling shirts and paintings to raise funds for their organization. I had to walk by it, and I'm embarrassed to say that it took me quite a few minutes to get myself collected again. I finally composed myself enough to come back, and I got some information from their group. When I got home, I put it on my coffee table and left it alone.
Several days later, I checked out their website. All those beautiful faces, all those brave hearts in need of a home... I fell in love with all of them, but one stood out. She was an American Bulldog, and I sent a question to the organization about her. Unfortunately, while she is good with other dogs, she views cats more as snacks than friends, so she is not a good match.
It's still so hard missing Roux. Yesterday, I was in Big Lots, and they had the silly little dog Halloween costumes out. It made me instantly think of how wonderfully patient Roux always was with being dressed up in silly outfits. She wore reindeer antlers, New Year's hats, angel wings, and absolutely rocked a winter sweater.
I look at Chewie in his chair, and he seems lonely. Yelldo does not play; he's too old. I think about how much Chewie would love to have someone to romp with, but then my eyes track across the room to my cats, Pearl and Dillon. They're peaceful and sociable. What would happen if I brought a new dog I couldn't be absolutely sure of into their lives?
So it's not time yet. Not yet. When it's time for someone else to join my furry family, everything will fall into place. We'll all be ready then.
Wednesday, August 19, 2015
When It's Too Late
He was the last of my father's brothers, the one we hadn't had anything to do with for years and years. The estrangement began when my grandmother passed away. His wife and her child put on quite the show. After that, years passed. The last time we saw each other was about fifteen years ago when he was doing coast-to-coast trips driving an eighteen wheeler and stopped in Bloomington to see me. I remember that visit being a good one, and I had hope that maybe my family would pull itself together. Then my grandfather died, and insanity on a level not even Hollywood could imagine occurred.
My feelings are in conflict. On one hand, a member of my family is gone. I feel that I should feel something profound. On the other, so much ugliness and sheer crazy resulted from almost every encounter with his wife and stepchildren that absence was not just the best policy, it was the only rational one. I didn't have the overwhelming sorrow I had when Dad's other brother, the middle son, passed away. Instead, this strange confusion came in.
I always thought there would come a time somehow when the two brothers would pull together again. I don't know exactly how I imagined it happening or why I thought it would after so long a time of separation. Deep down, I guess I believed that one day something would heal the rift. Isn't that the way families are supposed to work?
Maybe some wounds don't heal. Maybe sometimes, no matter what the beginning connection, actions sever the ties clean. Cause and effect. Karma. Something....
Or maybe the chance is always there until the time runs out. I wonder, although I am not going to ask the question, if my father ever thought they would reconcile. Was it ever in the back of his mind? Was it in the back of my uncle's?
His family continues their ridiculous behavior even after his death. They deliberately left out his two brothers in the obituary. They listed everyone else down to the family pets and the military branch in which he served, but they refused to acknowledge that he had not one but two brothers. As my students would say, "Just petty."
And maybe that's fine. It is now in every way too late for mending fences, after all.
Thursday, July 02, 2015
Tired
Part of it was because no pressure can be put on his chest. That means he can't be pulled by the shoulder, can't grab and pull with his arms, can't really do much except hold his heart-shaped pillow and let us get him up by creating a type of sling using his shirt.
He did the first step from the car and the first of the four steps fine, and then the day caught up with him and his knees went to jelly. We managed to catch him, something that isn't easy to do if you're trying to dodge a giant chest wound, a huge wound on one arm, and so on. We managed to get him up the stairs to the deck rail, and after that, into a rolling computer chair. Eventually, we got him in the house. Then we sort of reversed the process to get him from the computer chair into his big comfortable living room chair.
Once we'd gotten him settled, Mom had to go back to town to pick up all his prescriptions. He came home from the hospital with four pages of medications, some old, some new, and some to be stopped. All total, he's taking 21 medications right now. Some are AM meds, some PM; some are once-a-day, some twice, and one annoying iron pill has to be taken three times a day. It's all so complicated that I sat down and made a checklist/flowchart for it all, and then I sorted the meds into four different boxes/baskets. Hopefully that will make it all a little bit easier.
We worked on trying to get Dad to eat, but we only managed to get a tiny sliver of toast and a cup full of applesauce in him. He swears he will do better tomorrow. I hope he really will.
Five hours after he first rolled into the yard, I had reached the limit of there was that I could do tonight. I'd made two documents/charts (thank God for my mad teacher Word skills) to track his vital statistics and the aforementioned med chart, sorted out all his old meds and put them in storage so nobody gets confused, helped him change clothes to what he plans to sleep in, worked to transfer him to the bed with the help of Mom and our handy-dandy computer chair (CRAP, but we are getting a wheelchair tomorrow even if I have to rob somebody for the money for one), assisted Mom in pulling together the elaborate mosaic of nighttime meds and treatments, eaten three pieces of toast for dinner, and checked all his gadgets to make sure they're charging for when he might want them tomorrow.
This is what I came back home for. I knew this time would come, and I knew I'd need to help pick up as much slack as I possibly could. I just don't think I was prepared to be as tired as I am right now, especially since this is not even really "day 1" at home. Hopefully, he will continue to improve. If we can just get him semi-mobile again, then a lot of the physical side of things will slow down. If not....well....I always need a workout, right? The only important thing is that he is getting better and in a comfortable place to do that.
Wednesday, July 01, 2015
After
Wednesday, June 24, 2015
Tomorrow and Tomorrow and Tomorrow....
I had to do something, and mowing can be very meditative. I turn up a random playlist on my phone and because my mower is pretty old, I have to put most of my attention on making sure it is actually cutting right. It's not go-kart fun, but it will do in a pinch.
Finally, late this afternoon, Dad called to say everything has been cleared for tomorrow. The surgery is officially on.
So now, I'm making lists, laying out clothes, packing up things I'll need during the interminable wait. In a few hours, I'll go lie in my bed and stare at the ceiling. Then tomorrow will be today, and we will see what we will see.
Monday, June 22, 2015
Fordite
The oversprayed paint in the painting bays gradually built up on the tracks and skids that the car frames were painted on. Over time, many colorful layers built up there. These layers were hardened repeatedly in the ovens that the car bodies went into to cure the paint. Some of these deeper layers were even baked 100 times.
Eventually, the paint build-up would become obstructing, or too thick and heavy, and had to be removed. As the story goes, some crafty workers with an eye for beauty realized that this unique byproduct was worth salvaging. It was super-cured, patterned like psychedelic agate, and could be cut and polished with relative ease!" - taken from fordite.com
__________________________________
I'm obsessed with this stuff. In addition to mad housecleaning, I am also using the internet as a tool for avoidance of reality, and as I stumbled through the rabbit hole of Etsy, I came across Fordite.
As the history blurb above details, this is a reclaimed thing, something that occurred as an accident, a nuisance byproduct for the auto industry. How beautiful this nuisance is, though.
I wonder who the first person to notice the internal loveliness under the unsightly exterior was, who the first person to scratch the surface and find more than was expected.
Fordite, or Detroit Agate, isn't produced anymore. Technology changed the manufacturing process, and this side-effect doesn't happen now. What I'm sure the industry looked at as a waste now fetches as much money as some "real" gemstones, especially if it can be proven to have come from a particular auto maker, model, or factory, for example the Corvette factory in Bowling Green, KY. I even saw one piece marked as "mustangite." Guess what it was supposed to have come from?
I have found a piece on Etsy that I really love....well, probably more like five pieces, but still...and when my money from the AP reading comes, I am going to splurge on a piece. Aside from the incredible visual appeal of it, I like the symbolic reminder that it's what's under the surface that matters, that the world rarely takes the time to look for less-than-screaming-in-its-face-obvious value and is prone to discard things of beauty and rarity. It's a lesson worth remembering about a tendency worth avoiding.
I don't think that's too much philosophy to hang from a silver chain, right? If it's too much for you, I guess you can just enjoy all the pretty colors. To each, her own.
Type A
I vacuumed, steam cleaned the kitchen, dining room, and bathroom floors, did laundry and put it away, stripped my bed and put my feather mattress out to sun, emptied and reloaded the dishwasher, washed and replaced my slipcovers, took out the trash. Every little thing felt like a stitch to hold the fabric of life together.
There's more that needs to be done, shelves to dust, a piano and an organ to detail, a shower curtain to replace. Once I'm finished inside, there is a whole world of yard work. I am going to hold this line.
What's the alternative?
Sunday, June 21, 2015
Recently
Sunday, February 22, 2015
Literary Epiphanies
Getting there was nightmarish. Ice had gridlocked the entire city of Jackson. All roads in and all roads within were obstructed by wrecks. The dreaded "stack" where I-20 and I-59 go their separate ways was completely closed. Insanity reigned supreme with selfish motorists refusing to move out of the way of incoming emergency services. I personally sat about five miles outside of Brandon for 45 minutes, engine off, waiting for some accident I never saw any trace of to be cleared.
When I finally got to Welty House, I was late. I scurried in and took up a seat in the back. The two stories we were to have read before arriving were already under discussion. I quickly got my pen out and started filling pages of notes.
These moment where I get to be a student again are precious. I love to learn, feed on it just as much as I get nourishment from any kind of food. I don't know how people function who never take in new knowledge somehow. I always feel like my brain is like a pool, and if no new material is added, I swear I can feel it getting stagnant and brackish.
The two stories we were contrasting were "The Wanderers" by Welty and "The Dead" by Joyce. I've been on something of a Joyce kick lately (the Moderns in general, but Joyce particularly). F. got me started on the Joyce, an author I had avoided for years because of all the pretentious blather he gets in my field. I can't think of another author who has more of what I have always thought of as the "Emperor's New Clothing Syndrome" attached to his name than Joyce, by which I have heard people who quite obviously had no more idea than the man in the moon what was going on in his works loudly discussing him like they were going to get some kind of celestial brownie points for doing so. In any case, at F's urging, I decided to see what the fuss was about.
(Side note about that: He sort of had to prod me a lot, and I was fairly grumpy and grudging with my acceptance. You would think by now I would just accept what F. said and go on. He is the one who got me to listen to Dylan and at least a couple of other things I had decided that I was not going to fool with because of all the loud-sounding nothing that surrounds them. He is right about things I will like to a degree that I do not understand. I haven't reached the point of just going along with it, though. I am aware that it is a character flaw. If you try to push me toward something, you can be pretty sure I'm going to move it to the bottom of my list of priorities or refuse it altogether. I know this behaviour is hardheaded and almost certainly unwise. Can't seem to fix it, though.)
I was surprised when I liked what I was reading. There was none of the deliberately abstruse stuff I'd always heard of. The stories were engaging. I finished Dubliners quickly and moved on to Ulysses. I got about halfway through it before the semester started jumping up and down on me with its great black jackboots, so I am still plowing my way through it in doses. It requires more concentration than Dubliners, more than most works I've read in my time studying literature, and while I like that about it tremendously, at the end of a long day, I don't always have that to give.
In any case, when the conference rolled around this year and I saw the pairing of Welty and Joyce, I was pretty excited about it. I had never really thought of them together, but when I saw the titles, putting them together seemed perfectly logical. Both are acutely interested in place and how it shapes culture and the characters they present. I expected to learn a great deal and maybe figure out how to put both stories into the course syllabus I'm always in the middle of tearing apart and putting together, a little like faithful Penelope and her permanently unfinished weaving.
What I did not expect was a sharp and personal revelation.
Both stories have at their heart a trapped wanderer who has to lose what is precious to become free. There are two different reactions reflecting the drastically different world views of the two different authors behind them.
Both Welty and Joyce were themselves wanderers. Welty left Jackson for a long time for school and travel, but she had that permanent and inexplicable need to return that seems to be something we take in with the waters here in Mississippi. She came home to take care of her family when they needed her.
Joyce left Dublin, that big city that felt so small, and refused all aspects and claims of its culture and practices. He refused even to kneel at his mother's deathbed. He was constantly seeking something somewhere else, yet his writing stays eternally tied to Dublin, picking it apart piece by piece in his works. For him, there is a paralysis that settles over life in Ireland, something caused by politics, religion, family. All of it was a crushing weight that froze an individual in place, and in his stories some who are trying to escape come to a realization that they are not what they thought they were, become "sadder and wiser" because of it.
Welty, too, feels the power of place over her characters. Family ties and cultural expectations reach out and twine around her wanderers, too. She has a gently satirical eye for all the human frailty and foolishness that is a part of every community. Unlike Joyce, though, I think Welty can see that there is good mixed in with all that stuff, too. Her Wanderer, Virgie, has gone out and come back. She has given up years of her life trying to fulfill the requirements of family and cultural duty. As the oldest daughter, it's her job to take care of her mother. At the end, when all the ties of family and property and obligation fall away from her, unlike with Gabriel in "The Dead," a sense that she is going to be okay now comes. She has been changed, shaped, by all her experiences and decisions, but there is hope at the end.
And that is a critical thing. That is the thing that I kept missing in Joyce. I enjoy his stuff, but at the end of the day, I miss that glimmer of hope. Maybe it's a Mississippi thing. I see the same difference when I compare Faulkner and Hemingway. I love them both, but there is usually a comfort at the end of Faulkner that I cannot always find from Hemingway.
I have to believe that this possibility of hope and comfort *is* present if we will look for it. I think Welty gives it to us maybe in part because she comes back to a place that is probably not exactly where she wanted to be but she lives in it and makes something of it. Instead of it becoming a stagnation that destroys, for her, it becomes an exercise in seeking the good, finding it wherever it appears, the garden, her friends, the ridiculous, the beautiful, the everyday miraculous.
I want to be more like Welty. I, too, feel completely trapped here. I am a wanderer who came home, and I can feel the weight of obligations and cultural issues sitting on me like bricks on bird wings. Sometimes, it almost feels like there's not enough air to breathe. I don't want to be like Joyce, though, and just lump the baby and bathwater together as I toss it all out the window. There *is* the possibility of hope and comfort. There are lessons to be learned if I persist.
Hamlet (you knew he was showing up sooner or later, right?) says that "There is nothing either good or bad but thinking makes it so." I have been so focused on all the things I do not like about being home that I am forgetting there are a great many good things here, too. I think it's time to adjust my focus. Lincoln famously said, "Most people are about as happy as they make up their minds to be." Time to pick Welty's Wanderer instead.
Thursday, December 04, 2014
Lost and Found
Decisions, Decisions
Sunday, September 07, 2014
Late Night Grande Hotel
That you thought you knew me well
But, no one ever knows the heart of anyone else
I feel like Garbo in this late night grand hotel
Cause living alone is all I've ever done well
~ "Late Night Grande Hotel" - Nanci Griffith
I don't have anything left. It's all gone. Maybe it all had to be dumped out so something new could come in. We're not to that point, though, so I can't tell you. I'm not hopeful.
And I used to be.
I miss the me that was hopeful. Now, I fake the optimism, try to keep the mask in place, hope the seams and the cracks and the patches don't show too much. I stay as still as possible, try to smile a lot, use misdirection when needed. I'm not as good at it as I used to be. Probably, I'm getting worse every day.
I feel like a bird with broken wings. I stare up into the sky, and I know that used to belong there. I can't get any altitude, though. All I can do is flutter and wish. I've been knocked down too often. By Fate, maybe. By careless hands that never meant to hurt me but couldn't quite help it. By my own foolish wishes.
Tomorrow, I'll get up, and maybe the world will be roses. Maybe my wings will be healed. I wonder, though, after so much time lost, if I would even remember how to fly if they were. I'm not hopeful.
And I used to be....
Sunday, August 17, 2014
It Comes In Like the Tide
But if you don't watch it, it is.
Suddenly, before you even know it, you're in it knee-deep, waist-deep, chest-deep, and it's cold, so very, very cold....
You'd swim, but the currents pull from below with an obscene hunger. You'd cry out, but in the dark, there is no one who can hear, no one at all.
So you start out with the best of intentions. If you can just hang on for awhile, it has to back off, drain away, let you put feet on solid ground. It can't last forever, can it?
But even if you watch it, it does.
Sooner or later, even the strongest of swimmers gets a cramp. Sooner or later, even the most optimistic eye stops believing there will be light.
It comes in like the rising of the tide, and the world below you disappears.
Sunday, July 27, 2014
Oyster Crackers
When I was young, I went on a vacation with C., my best friend. For some reason, we chose to stay in the room while my parents went out to eat. We were tired or sunburned or something. We had been on a semi-disasterous innertube rafting trip on a river in Tennessee, and we were likely exhausted. I seem to remember a great deal of portage and falling off innertubes. In any case, it seemed a good idea at the time.
Only we got hungry. And it went on so long.
The hotel was near nothing, so walking to a place to eat was impossible. We looked through the room, but there was nothing and no vending machines. All we had to eat was a bag of oyster crackers we'd bought to throw at the ducks in the nearby river. So we'd eat them one at a time, laughing hysterically because there was nothing else to do. We had no transport, no options. We just waited, trusting that sooner or later, food would come because we'd been told that it would.
Many hours later, my parents returned, and they'd had quite a lot of trouble finding us (and themselves) food. In the non-touristy place we were staying, apparently the sidewalks rolled up quite early. We wound up with a couple of very nasty hamburgers in styrofoam takeaway containers.
At some point in your life, I am pretty sure most of you, gentle readers, have had this hamburger. It is the ultimate disappointment. Dry-hard bun, pitiful cold patty, rubbery technicolor orange cheese, frightning tiny pickles, limp lettuce, and no condiments to speak of. We ate them because we had no other options. They weren't what we'd wanted (that restaurant had not been open), but they were what we had, so we made do.
Certain things have happened to me in the last two days that have impressed upon me the notion that I'm still sitting around waiting for things that were promised that just aren't going to come. I'm still trying to tell myself that I can be content with something that is less than what I really wanted or expected. I am tired of it. It's time to do something about it.
I don't know what, and I don't know how yet, but it has been impressed upon me that I must start looking, or all I'm ever going to have are things that do not satisfy me. Stop-gap has become my whole life. I'm sure it was a gradual thing, something silent and stealthy slipping up like some form of comfortable quicksand, but this is enough.
I'm putting you on notice, world. I am done with oyster crackers and piss-poor hamburgers. I refuse to believe that's all there is. I refuse to believe that's all I'm worth. If that's all you can offer me, it's time for you to get to steppin'.
Sunday, July 13, 2014
Graceland
We paid our fee, passed through a queue and an unexpected photo stop, were handed the headphone set/audio guide that has become de rigeur at tourist attractions, and loaded onto a small shuttle bus which rolled across Elvis Presley Boulevard, through open gates, and up a small hill.
And there it was.
I am not sure what I was expecting. This wasn't it.
Our little headphoned herd passed through the large front door and on either side of us were the home's public spaces. There was a formal parlor, furnished in white, gold, and blue, on the right, and to the left, there was a formal dining room, the height of elegance for the time period in which it had been decorated.
The downstairs rooms and even the famous Jungle Room felt the same way. The private spaces of Graceland were comfortable and functional, full of expensive things, perhaps, but not a museum, not a slick spread in a magazine. People used and enjoyed those rooms.
I liked it quite a lot.
The divisions he'd created, the idea of a public formal space in which he could meet those who perhaps were not close to him, is a very Southern thing. The formal front parlor has been around for a long time. I found it interesting that he had continued that tradition in his home. He had enough money to have created anything he wanted, but what he created was a home.
We finished up in the memory garden where the graves are. People were snapping image after image of the graves, and to me, it felt a little odd. To me, the graves were a private place, and the neverending parade of tourists, myself included, seemed a little inappropriate. I admit that I've toured cathedrals of Europe, and I certainly took pictures of Dante's monument in Santa Croce and Shakespeare's in Holy Trinity, but this hit me differently. I felt like I'd crawled over a fence and invaded someone's privacy.
We loaded back up, were carted across the road, and got off in the miniature theme park where we'd started. We dutifully toured the automobile collection, browsed in shops, had our photo made with Elvis through the magic of Photoshop, got pressed pennies, bought the obligatory t-shirts.
We took a break and ate a hamburger and a fried peanut butter and banana sandwich with some of the best fries I've ever had in one of the two restaurants on the Graceland property, and the 50s diner decor included the obligatory beautiful Wurlitzer filled with Elvis's music. We listened, ate, and took a minute to refuel. The whole time, though I couldn't stop thinking about what Elvis himself might have thought about this whole thing. He had tried to make a home, a refuge for himself and those he loved. He hadn't built a palace to excess, although he certainly had the financial means to do so. This means that he treasured that space and what it represented.So would he have been okay with what it has become? Would he have seen it as just another part of the business, or would it have bothered him that we were traipsing through his kitchen, snapping photos of his formal parlor?
The question continued to resonate with me all the way back out to the now-filled parking lot and all the way down I-55 to my own refuge. It lingers still.